Senin, 23 Desember 2013

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Product details

File Size: 3304 KB

Print Length: 246 pages

Publisher: Penguin (July 30, 2015)

Publication Date: July 30, 2015

Sold by: PEN UK

Language: English

ASIN: B00XQLNTRG

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Amazon Best Sellers Rank:

#708,967 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

Li Po and Tu Fu are traditionally regarded by the Chinese as their two greatest poets. Together their poetry has a "balance of nature". Sometimes they are referred to as one poet, "Li-Tu".This book has a wonderful introduction which tells of each man, his life and together of their friendship. What we know is that they lived during the Tang Dynasty which is considered the 'golden age' of China in which the arts flourished. According to the introduction we do not have an exact date and place of Li Po's birth but it is estimated to be 701 somewhere near the frontier of the Soviet Union. What I love best about Li Po's poetry is his great imagination and imagery. I believe he was a "Romantic" poet. Li Po's view of the world is not set in reality but how he imagines it to be which makes his poetry beautiful. Some of my favorite poems by Li Po: "Drinking Alone with the Moon" about drinking his wine among the flowers and talking to the moon. The moon encourages him and becomes his friend - very lovely poem. Also "Old Poem" is very fanciful and rich - "Did Chaung Chou dream / he was the butterfly, / Or the butterfly / that it was Chaung Chou?" One that I read again and again is entitled "A song of Adieu to the Queen of the Skies, After a Dream Voyage to Her". This is a mystical poem talking of seafarers who tell of the Fairy Isles. The language is simply gorgeous.Tu Fu's nature is different than Li Po's but he is equally as talented. According to the introducton, "Tu Fu as a man is contrasted with Li Po in almost every conceivable way." Many consider him to be the greater of the two poets. His poems are autobiographical and historical. Several of his poems are ballads to great people and others deal with loneliness and seclusion but they are beautiful and moving to read.Although the two poets were very different, they knew and respected one another and it is just a matter of personal taste as to which one you might prefer. Either way this is a beautiful book with a rather long but interesting introduction and it is well worth it for the English translations of these poems.Here's a poem by Li Po saying farewell to a friend:Blue mountains lie beyond the north wall;Round the city's eastern side flows the white water.Here we part, friend, once forever.You go ten thousand miles, drifting awayLike an unrooted water-grass.Oh, the floating clouds and the thoughts of a wanderer!Oh, the sunset and the longing of an old friend!We ride away from each other, waving our hands,While our horses neigh softly, softly . . . . "

An experience to widen the writer's idea of what words should do and how they do it.

What's not to like in this volume? The translations are superb, the introduction informative, and it is a great subject matter.

This is a Chinese classic and for good reason.

Good

I am not giving the stars to the translation or the edition. This is the only book on Li Po I could find available a few months ago. I guess I was lucky enough to run into an old edition of Li Po's poetry at my University library years ago, and had been looking for a copy since then. Got this. Want more.

By trying to stay close to the Chinese versions of these poems, the translations were flat. The Chinese invented the lyric poem, so I expected lyric translation in English. I was disappointed and returned the book.

This book is dated somewhere around 1971. It still uses Wade Giles, which is a major drawback for students trying to match up anything with the pinyin currently in use.I've just received the book from Amazon, and I will give it the benefit of the doubt due to the explanation of Chinese poetic forms other reviewers have praised. But keep in mind that this book has the absolute bare minimum of Chinese characters, and virtually no usable reproductions of the the original poems in Chinese characters (hanzi), or romanization. In other words, it is a book dedicated almost exclusively to translations of the poems, not the poems themselves. While translation is a praiseworthy and thankless task, there are enough students around today trying to struggle with these poems using the Chinese, in addition to a translation, that it is worth it for some reproduction of the originals to be included. Beware, there is a bit less here than meets the eye.Anyway, as Confucious might have said, had he been born in Rome, "Caveat emptor."

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Sabtu, 21 Desember 2013

PDF Download The Last Summer of the World: A Novel, by Emily Mitchell

PDF Download The Last Summer of the World: A Novel, by Emily Mitchell

The Last Summer Of The World: A Novel, By Emily Mitchell Just how a simple suggestion by reading can enhance you to be an effective person? Reading The Last Summer Of The World: A Novel, By Emily Mitchell is a really simple activity. However, exactly how can lots of people be so careless to read? They will certainly like to invest their free time to chatting or hanging out. When actually, reading The Last Summer Of The World: A Novel, By Emily Mitchell will offer you much more probabilities to be effective completed with the hard works.

The Last Summer of the World: A Novel, by Emily Mitchell

The Last Summer of the World: A Novel, by Emily Mitchell


The Last Summer of the World: A Novel, by Emily Mitchell


PDF Download The Last Summer of the World: A Novel, by Emily Mitchell

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The Last Summer of the World: A Novel, by Emily Mitchell

Review

“In this debut novel, the life of a celebrated artist is imagined with the sensibility of a seasoned author…With a plot relentless in its inevitability, and the language shifting from spare to lush, Mitchell’s voice is refined and graceful depicting what is not: war and the dissolution of a marriage.” - Providence Journal“Her story, written with grace and precision, doesn’t want for scope, and Ms. Mitchell’s shrewd restraint lends her work a concentrated power.” - New York Sun“Beautifully rendered.” - Salon“Finely wrought…rich in detail…Mitchell has a lyrical sensibility and a glorious ability to write about art.” - Madison Capital Times“Dazzling…a devastating portrait of the insanity of war.” - Publishers Weekly (starred review)“Mitchell’s prose is engaging and spirited…A striking novel highlighting the rich experience of artists in Europe in the early 1900s and the inner life of a conflicted individual.” - Library Journal“Mitchell vividly imagines the terror of these historic dogfights…Enriching her intensely psychological tale with cameos of Auguste Rodin and others. Mitchell evokes the spell of creativity and the pain of rupture when following one’s vision severely complicates relationships.” - Booklist“Mitchell has chosen an innovative and unusual narrative structure of chronological fragmentation…Mitchell establishes a context for individual photographs and deftly handles moments of personal crisis in Steichen’s life and career…A novel in which the chaos and fragmentation of war mirror the chaos and fragmentation of personal relationships.” - Kirkus Reviews

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About the Author

Emily Mitchell's stories have been published in Harper’s, Ploughshares, New England Review, and elsewhere. She teaches at the University of Maryland. Her novel The Last Summer of the World was published in 2007. She lives in Silver Spring, Maryland.

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Product details

Paperback: 399 pages

Publisher: W. W. Norton & Company; Reprint edition (July 17, 2008)

Language: English

ISBN-10: 0393331946

ISBN-13: 978-0393331943

Product Dimensions:

5.5 x 1 x 8.2 inches

Shipping Weight: 9.6 ounces (View shipping rates and policies)

Average Customer Review:

4.0 out of 5 stars

16 customer reviews

Amazon Best Sellers Rank:

#2,107,271 in Books (See Top 100 in Books)

I have never submitted a book review in all my years of reading (and there have been many) but this book told an emotional truth that I could not ignore. The years before and during the First World War are examined in an almost dreamy manner, as if the speakers are recalling their memories of the past but this book is by no means without relevance to the present. Principally, it offers an insight into the workings of the creative mind where the urge to express oneself is paramount. It explores what happens when that urge is stifled, when the expansiveness of self expression is lost and one becomes merely useful - a facilitator to the self-expression of a partner with whom one has once been desperately in love. Besides the glorious selfishness of the creative mind, the author's exploration of the lot of women at a time when they were straining to escape the constraints of the past and yet were held back by their own natures is unparalleled in my view. Add to all this an inventive structure which allows central truths to be questioned before they are confirmed and you have a novel that is beyond impressive.

Historical fiction is fascinating to me. It takes great skill to deeply research a historic individual and time period and then build a story that weaves together known fact with an imagined story. I was extremely impressed by this book and the fascinating figures of Edward Steichen and his family and friends. I have read this book several times & shared it with several friends -- the author's writing style & voice are so gorgeous that I think she could write about anything & I would enjoy it.

Internationally well known American photographer Edward Steichen novel takes place during the onset of the 1st World War in France. This is one of my favorite periods of time. A great feel for what it was like to be living in that time. Loved it!

I am so enjoying this book and hope I don't get to the end too soon. As a busy innkeeper, I don't have much time for reading, but I'm so glad I bought this book and will certainly recommend it to friends. I'm in awe of Emily's knowledge of war-time aerial photography, and war in general.

I did not order this in Kindle because I am well aware that any illustrations in Kindle are almost useless. How could I want to read a book about Edward Steichen without his photographs. It would be preferable if Amazon did not offer books in Kindle which depend upon illustrations for much of their meaning.

Emily Mitchell creates a wide angle photograph of Edward Steichen and his circle of family/friends circa WW1, with considerable attention to detail."At St. Omer, he'd learned that when a road was used, it wore away. The boots of marching infantry, the wheels of the field guns and supply wagons, the horses' hooves - all these stripped away the dry surface, revealing rock and soil beneath. Compare two prints of the front taken on different days. If the road had turned in the second from pale gray to near black, an army had moved along it." p.44And another:"But when he told her about it, Clara stopped playing and looked at him with an expression of disbelief. Then she put her head down on the keys of the piano, so that a chromatic mass of notes rose out of the instrument, and engulfed her, filling the room with dissonance." p. 195A compelling meditation on the arc of one artist's life...

Thanks to Emily Mitchell for giving us one of those extraordinary novels that remain in the mind, evoking strong feelings and provoking new thoughts long after one turns the last page. Mitchell's subtle, unmannered, and decisive prose is a non-stop pleasure to read. Her story steadily gains momentum until, at the end, one feels the wind whistling past one's ears and hangs on for dear life. Most impressive, perhaps, is the refusal of this novel to play to type. TLSW is not a love story set against the "background" of war but a meditation on love and war that involves us in the interplay of spontaneous sentiments and a powerful (indeed, hyperactive) social environment. Similarly, despite the author's obvious sympathy for Clara Steichen's plight in a male-dominated culture, the book escapes categorization as either a feminist or implicitly gendered novel. Mitchell's empathetic imagination permits us to enter so deeply into the inner lives of both Edward and Clara that "taking sides" between them finally seeems reductionist and irrelevant. Glamorous, creative, confused, yearning for personal meaning and social peace, they were who they were, and Emily Mitchell has made them live again for us.

Beautifully written, authentic, atmospheric historical fiction with immortal themes of love, art, and war.

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