Free Download Paper: Paging Through History

Free Download Paper: Paging Through History

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Paper: Paging Through History

Free Download Paper: Paging Through History

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Review

“Kurlansky’s telling of this history...is swift, crisp, and deft.” - Reid Mitenbuler, The Atlantic“[An] historical journey well worth the ride. [Kurlansky] has a deep instinct for telling detail, which he combines with a disarmingly fun narrative style.” - Los Angeles Times“An historical journey well worth the ride. [Kurlansky] has a deep instinct for telling detail, which he combines with a disarmingly fun narrative style. Kurlansky makes a compelling case that paper has always been a revolutionary force – a foundation for expression of every sort ― and that it is certainly not dead yet.” - Elizabeth Taylor, The National Book Review“Kurlanksy tells [the history of paper] vividly in this compact and well-illustrated book….He has a sharp eye for curious details….[and] offers a versatile introduction to this long and complicated history.” - Anthony Grafton, New York Times Book Review“A beautiful thing to hold and feel, and it presents a fine argument for the retention of paper as an aesthetically lusty object.” - Simon Garfield, The Observer“One learns an awful lot from [Paper], all packaged in Kurlansky’s whipsmart prose.” - John Sutherland, The Times (London)“Littered with amazing facts.” - Lily Rothman, Time magazine

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About the Author

Mark Kurlansky is the New York Times best-selling author of twenty-nine books and a former foreign correspondent for The International Herald Tribune, The Chicago Tribune, The Miami Herald, and The Philadelphia Inquirer. He lives in New York City.

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Product details

Paperback: 416 pages

Publisher: W. W. Norton & Company; 1 edition (May 23, 2017)

Language: English

ISBN-10: 9780393353709

ISBN-13: 978-0393353709

ASIN: 0393353702

Product Dimensions:

5.5 x 1.1 x 8.3 inches

Shipping Weight: 12.8 ounces (View shipping rates and policies)

Average Customer Review:

4.0 out of 5 stars

99 customer reviews

Amazon Best Sellers Rank:

#124,441 in Books (See Top 100 in Books)

Not well researched or organized. The text goes all over the place, often leaving paper per se very far behind. Largest problem are the glaring errors which can't be ignored. Some make Gutenberg sound like some kind of simpleton. For example, on page 113, Gutenberg did not ink his type with “his own formula of gallnut shaving…soot and water,” as stated by the author. Such ink would simply pool on the metal surface of the typeface then run off, smear and soak into the handmade paper creating a blurry blot. Instead he mixed up his own ink, an ink that was definitely NOT water-based. The ink he made up had to be a special ink similar to modern day printers’ ink which is oil-based. This was an extraordinary move, a brilliant innovation, perhaps as significant as his use of movable type, hand-made linen paper and the press itself. The British Museum page on the Gutenberg Bible says: “The ink used by Gutenberg was also a new development. It was not really ink at all, more like a varnish or oil paint. Unlike writing-ink it is oil-based, not based on water. Water-based ink would simply run off the metal types whereas the thick, viscous oil-based varnish sticks to them.” His ink was also distinctive in that it had a glittering surface indicating that that it contained a high metal content, in particular copper, lead and titanium and also sulphur.Kurlansky’s statement that he used molten lead for his typeface oversimplifies the case. He used a metal alloy consisting mostly of lead and tin, with a small amount of antimony for hardening. Antimony has the rare property of expanding as it cools, giving the casting sharp edges needed to create the crisp print that distinguished his work.On page 10, Kurlansky says a papyrus reed stem used by the Egyptians to make papyrus paper “peels like an onion” – it doesn’t. The core of lightweight white pulp found inside the stem has to be sliced with a sharp knife or razor into thin slices.Further, he states there are “about twenty layers” inside the stem, again completely wrong.He needs to publish some sort of correction page to go with this book, otherwise it misinforms.

While I have loved other Mark Kurlansky books, this one comes closer to fields I have studied and I was horrified to discover that neither he nor his editors bother to fact check before publishing. I further discovered there is no way to contact the author directly to let him know of his errors.He claims that "linguists regard Greek...to be...the grandparent of all modern European languages." (page 64 of 897 ebook version) My degree from UC Berkeley in linguistics disagrees with him. Modern European languages come from a number of different language families, most NOT descended from Greek.He claims that silk contains cellulose. (page 91 of 897 ebook version). This is a gross misstatement. Cellulose is a polysaccharide: silk is a protein. These are distinctly different polymers. The idea that you can make something paper-like out of either does not make them the same thing.At that point, I had to stop reading.

I read 'Salt' and 'Cod' by MK and I enjoyed and recommend them both.But I was put off by 'Paper'.Other reviewers found many discrepancies with what they say are established facts. I wouldn't know about those things, nor would I be able to judge.I didn't enjoy the book; so much of it is just open-ended chattering about what he thinks about 'paper'. MK tells an interesting story of how paper came to be invented, developed and used in different ages across the world. Well and good; those stories are told in detail and quite worth reading.But his chatter is just that. Paper is and should be an engrossing subject, like 'Salt', or 'Cod'. Unfortunately, 'Paper' is not nearly as interesting.

I loved Kurlansky's Salt, but this book is not about the commodity paper. It's about printing and what people were thinking about at various times. It's also pervasively political: Kurlansky admires Muslims and hates Europeans. What that has to do with paper is not obvious.The author thinks that printing was invented to talk about religion and facilitate religious wars. It is a commonplace in communications theory that the opposite is true: whenever communications improve, wars start, because it turns out that what people most want to communicate about is how much they hate each other. So Gutenberg's 1450 printing press started the 200 years of war during the Reformation. It can't be the other way around because if so, printing would have been invented during the birth and spread of Christianity in the Roman Empire, 0 to 350 AD. That Twitter and Facebook were used to start all the many wars of the Arab Spring and the other revolutions such as in Ukraine is well known. But Twitter and Facebook were not invented in order to start revolutions. The Internet improved communications and was used that way, that's all.This hardback book was printed on lovely deckled paper, but the content isn't worth the paper it's printed on. I'm disappointed: I really wanted to read a book about paper, since I used to work for a large scientific printer, but this book is not about paper.

"Salt" is one of my all-time favorites, and I enjoyed Cod and Basques as well. I was overjoyed to see Kurlansky getting back into the history game with "Paper". Let me say that I enjoyed the book. Not as much as the other three, but it was enjoyable to read. There were a few questionable "facts", and I see why some reviewers have jumped on them, but none of these take away from the overall message in my mind. The only addition I'd like to make is that "less is more" would have been helpful in parts. The section of his trip to Japan really managed to weigh down the whole book and came across to me as him trying to justify a free trip to Japan, as was his sudden appearance in Basque country which was also out of place for the subject. All that being said, this book is a fun read. It is a delight to see Kurlansky back into the game, and I assure you I'll still give his next book a look.

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PDF Download Playing cards in Cairo

PDF Download Playing cards in Cairo

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Playing cards in Cairo

PDF Download Playing cards in Cairo

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Product details

Paperback: 288 pages

Publisher: Abacus (2008)

Language: English

ISBN-10: 0349119791

ISBN-13: 978-0349119793

Product Dimensions:

6 x 0.8 x 9.2 inches

Shipping Weight: 13.4 ounces (View shipping rates and policies)

Average Customer Review:

4.0 out of 5 stars

9 customer reviews

Amazon Best Sellers Rank:

#3,925,088 in Books (See Top 100 in Books)

I really enjoyed this book and gave insight to areas don't always see or hear about often. I have spent time in Egypt and really had me think I must go back and spend more time there. It is however ones mans point of view and Egypt really is a place to experience, it is amazing along with scary and full on but well worth taking time there.

I especially enjoy learning about several aspects of social life in Cairo.

Hugh Miles is a British freelance journalist whose work took him to Cairo in 2004. There he met a young Egyptian woman, here called Roda. A group of Cairene ladies met regularly in Roda's home to play cards, and Roda invited him to join these parties, where he was often the only man present. This gave him the rare opportunity for a foreigner to enter the world of these women, and the book pivots around what he learnt about their lives. They are all modern in their attitudes; but however modern they are, they are all under the control of male members of their families, husbands, fathers and even of younger brothers. Their lives in Roda's apartment are kept secret from their menfolk - for example, most of them smoke at these parties, but before they return home they take precautions that their breath no longer smells of tobacco. One of them accepts being beaten up by her husband occasionally; another loves her tyrannical younger brother; they all complain, but do not or cannot openly rebel. A few years earlier they had all been a little freer, but in recent years, despite Mubarak's crackdown on the militant Islamists in Egypt, the conservative and religious influences had become stronger and more difficult to resist. One of the women is in an urfi marriage (that is an unofficial marriage which is sanctioned by Islam, but which would be frowned upon by her respectable family if they knew about it.) Though in this way or another many modern young women secretly have sexual relationships with men, they often have their hymens sewn up again before a regular marriage, so that the wedding sheets can become bloodstained. And apparently, despite the Egyptian Constitution stipulating the equality of all citizens without distinction of religion or creed, if a Christian man wanted to marry a Muslim woman he would first have to convert to Islam; if he did not, he would have to leave Egypt and would not be allowed back.Incidents that happen around the women in this group become the hooks on which Hugh Miles can hang accounts of other aspects of Egypt and of Cairo life which he has covered as a journalist. So, for example, the reference to one brother, a policeman who has been sent to work in a prison (where he actually respects the pious and educated Islamists who are often held for months or years simply on suspicion) leads to a description of the horrific conditions in Egyptian prisons. The horrors of compulsory military service are hardly less: "the military regards fewer than one in four men killed in training as an acceptable fatality rate." There are descriptions of the huge difficulties of many people, even educated ones, have to find jobs, even though the Egyptian civil service is massively overmanned, with four or five people doing jobs which could easily be done by one person.He is fond of the women he meets in Roda's home; but, not surprisingly, he is not fond of Egypt.

I grasped this book randomly and on a hunch from a local bookstore, I am not sure if it is an autobiography or fiction as I am still half way through the book. This book is a painful yet accurate analysis of the sad pathetic state we Egyptians have turned into during the past few decades. Though it might seem like a simple superficial tale some of the arguments in this book are very deep. for example the author describes the 1967 defeat as THE event that sliced our once great people wide open to wahhabi influence when we realized that arabism/nationalsim failed. In short, this is the British version of Naguib mahfouz and Alaa Alswany. You could almost see the characters in the story right in front of you. Definitely a must read for any Egyptian or a foreigner who is looking for the true essence of modern Egypt. Should be converted to a movie.Hatem A Tawfik, MDCairo, Egypthatem35@gmail.com

When my Kindle died, I picked this up at the bookstore as something to read while awaiting my new Kindle. I'm so glad I did. I just returned from a brief trip to Egypt for the holidays and found myself confused, fascinated, and a bit unnerved by the culture, particularly as it pertains to women. This book didn't answer all of my questions but it did provide great insight. Reading this 2008 publication in 2012 is also particularly interesting as several of the author's comments and predictions have come to pass in recent events. I think that gave even more legitimacy to his perspective and account as I was reading it.

Bought this book on my last day of a two week trip to Egypt and foundit to be a look at every-day life in Cairo. A tour gives you somuch history but almost nothing about how people live. This answeredso many questions about the place of the veil, the role of women, thelack of personal privacy, bureaucracy all in a very readable format.I am about to e-mail everyone on the tour to personally recommend it!Granted, it is not a great work of literature but it accomplishes it'sgoal and is a charming and delightful read.

Informative and objective yet sympathetic view and analysis of educated middle class Egyptians. Refreshingly, this enlightened expat exhibits sincere intent on understanding Egyptian culture rather than criticizing or denigrating it. He expends real effort in putting behaviours and observations in a meaningful context. Entertaining and occasionally funny reading..... but would have benefited from a better editor and an intensive lesson on the importance of commas and sentence structures.

This book is as cliche-full as an essay written by a sad teenage student spending a couple of summers in Egypt.A confusing mix of semi-fictional autobiography and shallow comments about Egyptian women who, according to the author, are obssessed about the most petty of things.The repeated profane use of terms pertaining to back-door sex were also inappropriate and out of place and comtext.It is sad that the author only met such a selfcentered , pathetic, group of women in Cairo- and missed out on all the great self-assured and actualized ones.Horribly written. No insights whatsoever and could bore you to death. Stay away from this book!

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Playing cards in Cairo PDF

Playing cards in Cairo PDF

Playing cards in Cairo PDF

Playing cards in Cairo PDF

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